Just Plain Meyer (B.Brookmeyer)

"Just Plain Meyer," a cornerstone of the big band repertoire, stands as a vibrant testament to Bob Brookmeyer's early genius as both composer and arranger. Originally penned in 1956, this fast swing chart gained prominence through its recording by Terry Gibbs' big band on the Mercury album "Swingin': Terry Gibbs and His Orchestra." Gibbs later re-recorded this same arrangement twice in 1959 with his renowned Dream Band, solidifying its status as a definitive jazz standard of the era. The piece embodies the energetic, sophisticated big band sound prevalent in the late 1950s, characterized by intricate ensemble writing and ample space for improvisation. It reflects a period when jazz was pushing harmonic and rhythmic boundaries within the established big band format, a movement Brookmeyer significantly influenced. Musically, "Just Plain Meyer" is an exhilarating, up-tempo swing in 4/4, brimming with a bright, driving energy that is both intellectually stimulating and viscerally exciting. The piece is rooted in a medium-fast to fast swing feel, demanding precision and rhythmic vitality from all sections. Its mood is one of sophisticated exuberance, showcasing Brookmeyer's ability to craft arrangements that are harmonically rich yet undeniably swinging. The piece features a dynamic interplay between ensemble sections and soloists, creating a compelling narrative that unfolds with relentless forward motion. The overall character is bright and engaging, a perfect vehicle for a band looking to showcase both technical prowess and authentic jazz feel. Bob Brookmeyer's distinctive arranging approach is immediately evident in "Just Plain Meyer." Known for his sophisticated harmonies and interesting rhythmic sequences, Brookmeyer masterfully weaves complex voicings and counterpoint throughout the piece. While the piece features a traditional big band instrumentation, Brookmeyer's signature use of woodwind doublings and brass textures creates a rich, layered sound. The arrangement features prominent solo spots for vibraphone and tenor saxophone, with an added open solo section offering flexibility to feature other improvisers. Brookmeyer's writing is characterized by its clarity and precision, ensuring that each musical line contributes to the overall texture without unnecessary embellishment. The arrangement is full of the rich, sophisticated harmonies and interesting rhythmic sequences that became a hallmark of his early period, demonstrating a strong influence from the Count Basie band while pushing harmonic boundaries. Performing "Just Plain Meyer" is a rewarding challenge for advanced ensembles. The melody is carried primarily by the saxophone section, often in tight, precise soli passages, with brass interjections providing punch and counterpoint. Technical challenges include fast articulation, intricate rhythmic figures, and demanding brass ranges, with Trumpet 1 reaching F6. The ensemble writing requires excellent blend, balance, and rhythmic cohesion, particularly in the rapid-fire ensemble sections. The featured solos for vibraphone and tenor saxophone are central to the piece's character, requiring improvisers with a strong command of the bebop language and the ability to navigate complex chord changes at a brisk tempo. This arrangement is ideally suited for college, university, community, and professional big bands seeking a challenging yet deeply satisfying piece that showcases both individual and collective musicianship. It is classified as an advanced-level arrangement, demanding a high level of proficiency from all players. "Just Plain Meyer" requires a precise yet energetic approach to its fast swing tempo. Conductors should emphasize a driving, buoyant 4/4 feel, avoiding any tendency to rush or drag, particularly during the intricate ensemble passages. Key technical challenges include the demanding articulation in the saxophone soli sections and the high brass ranges, notably Trumpet 1's F6. Encourage brass players to approach these demanding notes with controlled air support and a focused embouchure, rather than forcing the sound. The rhythmic figures are often syncopated and require absolute unanimity for maximum impact; meticulous sectional rehearsals are crucial. While no special techniques like plunger mutes are explicitly indicated, a bright, clear jazz articulation should be consistent throughout the band. Rehearsal tips include isolating fast rhythmic motifs, practicing soli sections slowly for precision, and gradually increasing tempo. Ensure soloists are comfortable with the form and harmonic progression, allowing them the freedom to improvise creatively within the piece's energetic framework. Q: What instruments are included in this arrangement? A: This big band arrangement includes parts for Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, 4 Trumpets, 3 Trombones, Vibraphone (or C, Bb, or Eb soloist), Piano, Bass, and Drums. Q: What is the difficulty level of "Just Plain Meyer"? A: This arrangement is considered advanced (Grade 5), suitable for experienced college, university, community, and professional big bands due to its technical demands, fast tempo, and complex ensemble writing. Q: What is the musical style and historical context of this piece? A: "Just Plain Meyer" is a fast swing jazz standard composed and arranged by Bob Brookmeyer in 1956, representing the sophisticated big band sound of the late 1950s. It was notably recorded by the Terry Gibbs Dream Band. Q: What makes this arrangement unique or distinctive? A: This arrangement showcases Bob Brookmeyer's signature sophisticated harmonies, intricate rhythmic sequences, and clear, precise ensemble writing, featuring prominent solo sections for vibraphone and tenor saxophone. It also includes optional solo parts for C, Bb, or Eb instruments. Q: What is the typical performance duration or tempo of "Just Plain Meyer"? A: "Just Plain Meyer" is a fast swing chart, typically performed at a brisk tempo, making its duration around 3-4 minutes depending on the number and length of improvised solos.