Lickety Split (T.Garling)

Dynamic propulsion and sophisticated harmonic architecture define Tom Garling’s powerhouse original composition, "Lickety Split." Emerging from the lineage of modern big band jazz, this high-octane chart reflects the rigorous compositional standards of the contemporary Chicago and extended jazz scenes, where Garling—renowned for his extensive work as a trombonist, composer, and arranger with figures like Buddy Rich and Maynard Ferguson—has long maintained a formidable presence. While not an older historical standard from the Swing Era, "Lickety Split" functions as a modern-day staple for advanced ensembles looking to test the boundaries of contemporary big band literature through complex rhythmic unisons and blistering, straight-ahead energy. Driven by an unrelenting up-tempo swing feel in 4/4, the composition explodes out of the gate with an aggressive, fleet-fingered motif that demands absolute precision from the entire ensemble. The harmonic language stretches well beyond standard diatonic boundaries, incorporating upper-structure extensions, altered dominants, and dense chromatic voicings that recall the sophisticated writing of masters like Bob Mintzer and Bill Holman. The mood is fiercely urgent and electric, evoking a sense of high-stakes musical athleticism. Garling expertly balances these moments of intense, collective velocity with spacious, blues-soaked interludes that ground the modern harmonies in a visceral, swinging tradition. Garling’s arrangement showcases a masterclass in texture and orchestration, treating the 17-piece big band not merely as a collection of sections, but as a unified, flexible organism. The saxophones are deployed in intricate, interlocking solis that require nimble fingerwork and uniform articulation, particularly across the two alto and two tenor chairs. Brass writing is exceptionally demanding yet idiomatically rewarding, featuring roaring shout choruses where the trumpets and trombones trade razor-sharp punch lines over a relentless rhythm section groove. The baritone saxophone and bass trombone anchor the bottom end with thick, aggressive counter-lines that drive the momentum forward through treacherous modulations and rapid-fire tempo shifts. Designed squarely for collegiate, advanced community, and professional big bands, "Lickety Split" is a crown-jewel showcase piece that guarantees a standing ovation when programmed correctly. Featured solo opportunities provide ample room for standout improvisers—typically designated for tenor saxophone and trumpet—to stretch out over sophisticated chord changes. Technical hurdles include maintaining rhythmic exactitude during rapid unison passages, negotiating wide dynamic ranges at high speeds, and executing tight, stylistic articulations. For bands possessing the technical maturity to conquer its labyrinthine charts, this arrangement delivers an exhilarating, high-yield performance experience that marries intellectual rigor with unadulterated big band adrenaline. Conductors tackling Tom Garling's "Lickety Split" must prioritize internal rhythmic stability, as the chart's blistering up-tempo swing feel leaves zero room for drag. Establish a rock-solid, driving pulse with the rhythm section—specifically the ride cymbal and hi-hat on 2 and 4—before layering in the horn sections. The primary technical challenge lies in the execution of rapid, harmonized unison lines between the saxophones and brass. Rehearsals should begin significantly under tempo, focusing on clean articulation, uniform breath support, and precise dynamic tapering. Ensure that eighth-note lines are swung naturally without blurring the articulation into slurred mud. Brass players should approach high-register passages with controlled resonance rather than brute force, maintaining core tone quality through dynamic swells. Standard big band articulations (doits, falls, and accents) are utilized strategically; ensure the ensemble executes these with intention to highlight Garling's dynamic syncopation. Q: What instruments and parts are included in this arrangement? A: This 87-page publication includes a comprehensive conductor score and parts for a standard 17-instrument big band: 2 alto saxophones, 2 tenor saxophones, 1 baritone saxophone, 4 trumpets, 4 trombones (including bass trombone), piano, guitar, bass, and drums. Q: What is the difficulty level of "Lickety Split"? A: This arrangement is graded as advanced, making it best suited for collegiate ensembles, elite high school honor bands, community jazz orchestras, and professional big bands capable of handling rapid tempos and complex modern harmony. Q: What is the musical style and historical context of the piece? A: Written by renowned composer, arranger, and trombonist Tom Garling, "Lickety Split" is a contemporary big band jazz chart rooted in the modern post-bop and progressive big band tradition, echoing the high-energy demands of elite professional road bands. Q: What makes this Tom Garling arrangement unique? A: The chart stands out for its sophisticated, extended harmonic structures, dense chromatic voicings, and interlocking saxophone solis that seamlessly blend intellectual rigor with raw, driving swing energy. Q: What is the performance duration and tempo of the piece? A: While performance time varies slightly based on improvised solo choruses, the chart is designed as an up-tempo burner intended to be performed at a brisk, high-energy swing tempo.