Away We Go (A.Ferguson)

Allyn Ferguson's "Away We Go" emerged during a vibrant period of jazz composition, solidifying its place as a quintessential jazz standard that captures the energetic and sophisticated essence of mid-20th-century big band music. While specific composition dates are sometimes fluid for such pieces, its style firmly places it in an era characterized by intricate arrangements and a focus on ensemble precision. Often associated with the dynamic big bands of the 1960s and 70s, "Away We Go" is renowned for its bright, forward-driving momentum and its capacity to showcase a band's collective virtuosity. It represents a time when big band jazz was evolving, incorporating elements of bebop's harmonic complexity into a more structured, yet still improvisational, framework. The piece’s enduring appeal lies in its infectious swing feel and its ability to provide a compelling platform for both ensemble work and featured soloists, making it a staple in the repertoire of professional and collegiate jazz ensembles alike. This particular arrangement by the legendary Buddy Rich transforms "Away We Go" into a high-octane showcase, embodying Rich's signature blend of power, precision, and relentless swing. Rich's approach to big band arranging is always characterized by a driving medium-up swing tempo, a bright, often brass-heavy timbre, and an unwavering commitment to rhythmic intensity. In this rendition, the key of Bb Major provides a brilliant foundation for the brass, allowing the trumpets to soar and the trombones to articulate with clarity. The musical character is one of unbridled enthusiasm and controlled chaos, evoking a mood of exhilarating journey. Rich masterfully employs tight, often unison, saxophone soli sections that demand exceptional blend and articulation, contrasting them with powerful brass punches and dynamic shout choruses that build tension and release with expert pacing. His arrangements are rarely subtle; they are designed to make an impact, and "Away We Go" is no exception. Performance of this arrangement offers a rewarding challenge for advanced high school, collegiate, and professional big bands. The melody is initially carried by the alto saxophones, often doubled by a trumpet, establishing the tune's bright character before being passed through various sections. Featured solo space is generously provided for tenor saxophone and trumpet, allowing improvisers to stretch out over the driving rhythm section. Technical challenges include the demanding brass ranges, particularly in the trumpet section, and the intricate, fast-moving saxophone soli passages that require precise ensemble playing and articulation. Furthermore, the rhythm section must maintain an unflagging, propulsive medium-up swing feel throughout, providing the bedrock for the ensemble's energy. The arrangement's dynamic shifts, from roaring fortissimos to tightly controlled softer passages, are crucial to its impact, culminating in a powerful, full-ensemble shout chorus that is both exhilarating to play and captivating to hear. This arrangement is ideally suited for bands looking to perform a classic big band chart with authentic power and swing. Conductors should emphasize a consistent, driving medium-up swing feel from the rhythm section, ensuring the quarter note pulses with unwavering energy. The key technical challenges lie in the precise articulation and blend required for the saxophone soli sections, which demand meticulous rehearsal to achieve a unified sound. Brass players, particularly trumpets, must be prepared for extended passages in the upper register; encourage proper breathing and embouchure technique to sustain tone and intonation. Dynamic contrasts are paramount; rehearse the marked crescendos and decrescendos diligently to maximize the arrangement's impact, especially leading into and out of the shout choruses. No special techniques like plunger mutes or falls are explicitly notated, allowing for a clean, powerful big band sound. Focus on the ensemble's collective rhythmic accuracy, particularly during unison figures and syncopated hits, to capture the authentic Buddy Rich drive. Q: What instruments and parts are included in this arrangement? A: This arrangement includes parts for a full 18-instrument big band: Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Bass Trombone, Guitar, Piano, Bass, Drums, and Auxiliary Percussion. Q: What is the difficulty level of Buddy Rich's arrangement of "Away We Go"? A: This arrangement is considered advanced, suitable for collegiate, professional, or highly skilled high school jazz ensembles due to its demanding brass ranges, intricate saxophone soli sections, and the requirement for a powerful, precise ensemble performance. Q: What is the musical style and historical context of "Away We Go"? A: "Away We Go" is a classic jazz standard from the mid-20th century, representing the energetic and sophisticated big band jazz style of that era, often associated with driving swing and intricate arrangements. Q: What makes Buddy Rich's arrangement of "Away We Go" unique? A: Buddy Rich's arrangement is distinguished by its high-energy, driving medium-up swing tempo, prominent brass voicings, tight unison saxophone soli passages, and powerful shout choruses, all characteristic of Rich's dynamic big band sound. Q: What is the typical performance duration and tempo for this arrangement? A: The typical performance duration for this arrangement is approximately 4-5 minutes, performed at a medium-up swing tempo, around 180-200 beats per minute, to maintain its intended energetic character.