Absence Makes The Heart Grow Fonder (F.Henderson) sheet music preview

Absence Makes The Heart Grow Fonder (F.Henderson)

Composed by Fletcher Henderson

Arranged by voc

  • Ensemble: Big Band
  • Style: Jazz Standard
  • Pages: 58
  • Instruments (19): Vocal, Clarinet in Bb, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Piano, Guitar, Bass, Drum Set
  • Difficulty: advanced
  • Content: Individual Parts
  • Format: PDF Download (Instant)
  • Price: $24.99

"Absence Makes The Heart Grow Fonder," a timeless composition by the pioneering bandleader and arranger Fletcher Henderson, stands as a quintessential jazz standard from the Swing Era. Originally penned in the 1930s, it embodies the sophisticated harmonic and melodic language that defined the period, laying foundational groundwork for the big band sound. While not as universally recognized as some of Henderson's other works, its intricate structure and lyrical charm made it a favorite among musicians, showcasing the elegant interplay and rhythmic drive characteristic of the era's best dance orchestras. It represents a pivotal moment in jazz history, bridging the gap between early jazz and the more complex arrangements that would follow. This arrangement by voc masterfully reinterprets Henderson's classic, presenting it as a medium-swing big band chart in the key of F major. The musical character is one of understated elegance and buoyant energy, evoking the sophisticated dance halls and ballrooms of the 1930s. The mood is generally bright and optimistic, carried by a consistent, flowing swing feel in 4/4 time. voc's approach is characterized by a deep respect for the original era's voicings while subtly enhancing them for contemporary ensembles. Expect rich, full-bodied saxophone soli sections that weave intricate melodic lines, punctuated by brass interjections that are both crisp and harmonically interesting. The arrangement features a dynamic build, moving from a smooth, lyrical opening to a powerful, driving shout chorus that culminates in a thrilling ensemble finish. The performance begins with the melody carried primarily by the alto saxophones, often doubled or harmonized with the trumpets, establishing the piece's lyrical theme. Featured solo opportunities are provided for Tenor Saxophone 1 and Trumpet 2, allowing for expressive improvisation over the standard chord changes. Technical challenges include precise articulation in the brass sections, maintaining a consistent swing feel across the entire ensemble, and navigating the sometimes dense harmonic voicings in the saxophone soli. The rewarding aspect of performing this chart lies in its authentic big band sound, the opportunity for soloists to shine, and the collective satisfaction of executing its vibrant ensemble passages. It’s a piece that truly allows a band to swing together, showcasing blend, balance, and rhythmic precision. This arrangement is ideally suited for advanced high school, collegiate, community, and professional jazz ensembles. Its blend of historical authenticity and engaging musicality makes it an excellent teaching tool for understanding Swing Era big band aesthetics, while also providing a challenging and rewarding performance piece for more experienced groups. The detailed voicings and dynamic contrasts require a mature ensemble capable of nuanced interpretation and strong section playing, ensuring a fulfilling experience for both musicians and audience members. Conductors should emphasize a consistent, relaxed medium-swing feel throughout, ensuring the rhythm section lays down a solid, unhurried groove. Articulation is key, particularly in the brass, where crisp, unified attacks and releases will define the character. Pay close attention to dynamics, especially the subtle crescendos leading into soli sections and the powerful build towards the final shout chorus. Rehearsal time should be dedicated to balancing the dense saxophone voicings to achieve clarity and blend. For the soloists, encourage melodic improvisation rooted in the Swing Era style. There are no special techniques like plunger mutes or extended techniques required; focus on clean execution of standard jazz articulation, including subtle falls and scoops where indicated for stylistic authenticity. The tempo should hover around 140-150 BPM, allowing the melody to breathe while maintaining forward momentum. Q: What instruments are included in this arrangement? A: This big band arrangement includes parts for 17 instruments: Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Guitar, Piano, Bass, and Drums. Q: What is the difficulty level of "Absence Makes The Heart Grow Fonder (F.Henderson)" by voc? A: This arrangement is considered advanced, suitable for collegiate, community, and professional jazz ensembles. It demands strong section playing, precise articulation, and mature interpretation from all musicians. Q: What musical style and historical context does this arrangement represent? A: This piece is a classic jazz standard from the Swing Era (1930s), originally composed by Fletcher Henderson. It embodies the sophisticated big band sound, rich harmonies, and medium-swing feel characteristic of that period. Q: What makes voc's arrangement of this piece unique? A: voc's arrangement respects the authentic Swing Era voicings and character of Henderson's original while enhancing it with dynamic contrasts and detailed soli sections. It offers a fresh yet historically informed interpretation, providing engaging solo opportunities and a powerful ensemble finish. Q: What is the typical performance duration and tempo for this arrangement? A: The typical performance duration for this arrangement is approximately 3-4 minutes, depending on the length of the improvised solos. It is designed to be performed at a medium-swing tempo, ideally around 140-150 beats per minute.

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