I Am What I Am (W.Dyess)

Jerry Herman's iconic anthem, "I Am What I Am," first premiered in the 1983 Broadway musical *La Cage aux Folles*, quickly transcending its theatrical origins to become a powerful statement of self-acceptance and defiance. While not traditionally a jazz standard, its soaring melody and profound lyrical message have resonated across genres, making it a staple for vocalists seeking a dramatic and uplifting showcase. The song's original context as a defiant declaration by the character Albin cemented its place in popular culture, particularly within LGBTQ+ communities, but its universal theme of authenticity speaks to all. This arrangement reimagines the song's grandiosity through the lens of a contemporary big band, offering a fresh, sophisticated, and undeniably powerful interpretation that respects its theatrical heritage while infusing it with jazz-orchestral brilliance. Wayne Dyess's arrangement of "I Am What I Am" transforms the musical theatre classic into a dynamic big band vocal feature, set in a driving, medium-up swing feel at approximately 144 BPM. The piece opens with a dramatic, sustained chordal introduction, immediately establishing a sense of anticipation before the vocalist enters with the familiar melody. Dyess's signature approach to big band writing is evident in his rich, often dense voicings, particularly in the brass and saxophone soli sections, which provide counterpoint and harmonic depth to the vocal line. The arrangement masterfully builds energy, employing dynamic contrasts, layered textures, and strategic modulations that elevate the emotional impact of the original. Expect lush saxophone pads, powerful brass punches, and intricate ensemble figures that support and amplify the vocalist's performance without overshadowing it. The arrangement is structured to highlight both the vocal soloist and the full ensemble. The melody is predominantly carried by the vocalist, who is given ample space to interpret the song's emotional arc. However, Dyess intersperses powerful instrumental soli sections, particularly for the saxophones and brass, that serve as dramatic interludes and build tension. While there are no extended improvised solo sections, the ensemble writing itself is highly virtuosic, featuring intricate rhythmic interplay and demanding brass ranges. The arrangement culminates in a powerful, full-band shout chorus that brings the piece to an exhilarating and triumphant close. Technical challenges include precise ensemble articulation, maintaining a consistent and energetic swing feel throughout, and navigating the dynamic shifts required for maximum impact. This arrangement is ideally suited for advanced high school, college, community, and professional big bands looking for a show-stopping vocal feature. Its dramatic flair and sophisticated big band scoring make it perfect for concert performances, jazz festivals, or any occasion where a powerful and emotionally resonant vocal piece is desired. The demanding ensemble parts and nuanced musicality will challenge and reward experienced musicians, offering a truly memorable performance experience for both the band and the audience. Conductors should emphasize a consistent, driving medium-up swing feel (quarter note = 144 BPM) from the outset, ensuring the rhythm section provides a solid, propulsive foundation. Brass players will need strong embouchures and good breath support to navigate the sustained, powerful chords and high-range demands, particularly in the trumpet section, which extends to written high Fs. Saxophone sections should focus on blend and precise articulation during the intricate soli passages, aiming for a unified, rich sound. Dynamic contrasts are crucial; ensure the band can execute nuanced crescendos and decrescendos to enhance the dramatic arc. Rehearse the transitions between vocal sections and instrumental soli carefully to maintain momentum. The vocalist should be encouraged to embrace the theatricality and emotional depth of the lyrics, using the big band's powerful accompaniment as a springboard for their interpretation. Q: What instruments and parts are included in this arrangement? A: This arrangement includes parts for a standard big band lineup: 5 saxophones (AATTB), 4 trumpets, 4 trombones, guitar, piano, bass, drums, and a dedicated vocal lead sheet. Q: What is the difficulty level of "I Am What I Am (W.Dyess)"? A: This arrangement is rated as advanced. It requires experienced musicians due to demanding brass ranges, intricate ensemble figures, precise articulation, and significant dynamic control. Q: What is the musical style and historical context of this piece? A: This arrangement is a big band vocal feature in a medium-up swing style, based on Jerry Herman's iconic musical theatre anthem from the 1983 Broadway show *La Cage aux Folles*. Q: What makes Wayne Dyess's arrangement of "I Am What I Am" unique? A: Dyess's arrangement is distinguished by its dramatic build-ups, rich and often dense voicings, powerful brass and saxophone soli sections, strategic modulations, and a driving swing feel that transforms the original into a sophisticated big band showpiece. Q: What is the approximate performance duration and tempo of this arrangement? A: The performance duration is approximately 3-4 minutes, designed for a medium-up swing tempo of around 144 beats per minute.