What Sort Of Swing (J.Hausl)

Capturing the effervescent spirit of mid-century modern jazz composition, "What Sort Of Swing" stands as a brilliant homage to the classic big band era while introducing contemporary harmonic colorations. Originally conceived by composer and arranger J. Hausl, this work bridges the gap between traditional swing-era propulsion and modern post-bop sophistication. While drawing inspiration from the foundational styling of Count Basie’s atomic band and the sharp arrangements of the Thad Jones/Mel Lewis Orchestra, Hausl crafts a distinct identity that honors the lineage of big band literature without relying on tired nostalgic cliches. Driven by an infectious, medium-up swing tempo in 4/4 time, the piece opens with a sultry, understated groove before unfolding into a cascade of vibrant textures and rich extended voicings. The emotional trajectory shifts seamlessly from cool, urban sophistication to an explosive, high-octane release of energy. Hausl employs lush, modern saxophonesolis that weave intricate chromatic lines through a sophisticated tonal center, punctuated by razor-sharp brass stabs and a relentless, driving rhythm section. The underlying harmonic language features clever secondary dominants and altered tensions that provide a thrilling edge, challenging the ensemble to lean into the rich dissonance before resolving into triumphant, open-horn cadences. Throughout the chart, the melodic weight is shared dynamically across the sections. The woodwinds carry the primary thematic material with lithe agility, while the brass section answers with authoritative counter-melodies and punchy background figures. A designated open solo section provides a premier soloist the platform to stretch out over changes that cleverly reference standard modal frameworks, supported by dynamic shout choruses designed to test the ensemble’s collective stamina and dynamic control. The rhythm section is treated as an active compositional voice, featuring prescribed comping rhythms and an interactive bass line that propel the arrangement forward with an authentic, breathing pulse. Advanced high school ensembles, collegiate jazz orchestras, and professional community big bands will find "What Sort Of Swing" to be an exceptionally rewarding addition to their repertoire. The chart provides an ideal vehicle for developing bands looking to step into advanced harmonic territory, demanding a high level of articulation precision, section-blend awareness, and stylistic versatility. Conductor and players alike will appreciate the meticulous care evident in every measure, making it a show-stopping centerpiece for any formal concert program or festival performance. Achieving an authentic performance of "What Sort Of Swing" requires strict adherence to traditional swing articulation combined with modern dynamic awareness. The rhythm section must anchor the groove, with the drummer utilizing a clean ride cymbal pattern and subtle hi-hat on beats two and four, avoiding any tendency to rush the medium-up tempo. Horn players should focus on uniform short-long articulation, placing weight on the upbeat (the "and" of the beat) to generate the necessary forward momentum. Pay close attention to the dynamic markings during the muted brass passages; the mutes must blend without thinning out the core tone. The shout chorus demands absolute restraint in the opening measures to allow room for a natural, cascading crescendo into the final climax. Directors should rehearse the sax soli strictly isolated from the rhythm section first, ensuring precise intonation on the altered chord extensions before integrating the full ensemble. Q: What instruments and parts are included in this arrangement? A: The full 17-instrument big band instrumentation includes 2 alto saxophones, 2 tenor saxophones, 1 baritone saxophone, 4 trumpets, 4 trombones, guitar, piano, bass, and drums, accompanied by a comprehensive 48-page conductor score. Q: What is the difficulty level of this arrangement? A: This arrangement is graded as advanced, making it ideal for skilled high school jazz bands, collegiate ensembles, and professional community big bands seeking to stretch their technical and harmonic capabilities. Q: What musical style and historical context does the piece represent? A: Written by J. Hausl, the piece is a modern jazz standard that merges the swinging, blues-inflected traditions of the mid-century big band era with contemporary post-bop harmonic voicings and textures. Q: What makes this particular arrangement unique? A: The arrangement stands out due to J. Hausl's signature writing style, which combines intricate, chromatic saxophone solis with unexpected harmonic modulations and an interactive rhythm section that treats accompaniment as a primary melodic voice. Q: What is the performance duration and tempo feel of the piece? A: The piece is written in a driving 4/4 time signature with a medium-up swing feel, designed to run approximately 4 to 5 minutes depending on the length of the open solo sections.