The Brush Off (A.Dedrick)

Art Dedrick's "The Brush Off" stands as a quintessential example of the mid-20th century big band jazz standard, embodying the vibrant energy and sophisticated harmonic language that defined the era. While not a widely recorded "hit" by other artists, Dedrick himself was a prolific composer and arranger whose works became staples in educational and professional big band libraries, making his compositions like "The Brush Off" integral to the genre's canon. This piece captures the essence of the classic swing era, demonstrating Dedrick's mastery in crafting tunes that are both engaging and pedagogically sound. It represents a period where big band music was evolving, blending the danceable rhythms of earlier swing with increasingly complex melodic and harmonic ideas, setting the stage for later developments in jazz. Musically, "The Brush Off" is a medium-up swing chart, typically performed in 4/4 time with a buoyant, infectious groove. The primary key is often C major or a closely related key, allowing for bright, open voicings and a comfortable range for most instruments. The mood is decidedly upbeat and confident, evoking the classic, celebratory feel of a big band in full flight. It's a piece designed to energize both performers and listeners, characterized by its driving rhythm section, crisp brass articulations, and flowing saxophone lines. Dedrick's melodic writing is memorable and harmonically rich, utilizing standard jazz chord progressions with tasteful extensions that provide depth without sacrificing accessibility. Art Dedrick's arrangement of "The Brush Off" showcases his signature approach to big band writing: clarity, balance, and intelligent orchestration. He masterfully employs full ensemble voicings that are both powerful and transparent, ensuring each section contributes to the overall texture. Expect meticulously crafted soli sections, particularly for the saxophones, where intricate lines are passed between the voices, demanding precision and blend. The brass sections are given ample opportunity to shine with strong, punctuated figures and soaring melodic statements, often culminating in a dynamic shout chorus that builds excitement through layered rhythms and ascending harmonic tension. Dedrick's arrangements are known for their logical flow and effective use of dynamics, guiding the ensemble through a compelling narrative. The melody is typically introduced by the lead alto saxophone or a combined sax section, followed by development through soli passages and often featuring a written or improvised solo section, usually for tenor saxophone or trumpet, providing a focal point for individual expression. This arrangement is ideally suited for high school, college, and community big bands seeking to perform authentic, well-crafted swing music. Its challenges are primarily in achieving tight ensemble precision, consistent swing feel, and accurate interpretation of articulations. The rewarding aspect lies in the sheer joy of performing a vibrant, classic big band piece that sounds impressive and is a pleasure to rehearse. It offers excellent opportunities for developing section blend, rhythmic accuracy, and dynamic control, making it a valuable addition to any ensemble's repertoire. "The Brush Off" demands a consistent, driving medium-up swing feel from the rhythm section, emphasizing a light but propulsive ride cymbal pattern and a walking bass line. Conductors should encourage a precise, unified approach to articulations, particularly in the brass, where short, crisp notes are crucial for clarity. The saxophone soli sections require careful attention to balance and intonation to achieve a seamless, blended sound; rehearse these passages slowly, focusing on matching tone and attack. There are no specialized techniques like plunger mutes or doits explicitly notated, but tasteful falls and scoops can be added by the brass for stylistic authenticity in appropriate places. The primary technical challenge lies in the ensemble's ability to navigate the chart's dynamic shifts and rhythmic figures with precision and energy, especially during the shout chorus. Focus on building intensity gradually, ensuring the final ensemble hits are impactful and in tune. Q: What instruments and parts are included in this arrangement? A: This arrangement includes parts for 17 instruments: Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Piano, Bass, Drums, and Guitar. Q: What is the difficulty level of "The Brush Off" by Art Dedrick? A: This arrangement is generally considered suitable for intermediate to advanced high school, college, and community big bands. It requires solid instrumental technique, good ensemble blend, and a strong understanding of swing articulation and rhythm. Q: What musical style and historical context does "The Brush Off" represent? A: "The Brush Off" is a classic jazz standard in the medium-up swing style, characteristic of mid-20th century big band jazz. It embodies the energetic and harmonically sophisticated sound prevalent in the era when Art Dedrick was a prominent composer and arranger. Q: What makes Art Dedrick's arrangement of "The Brush Off" unique or distinctive? A: Dedrick's arrangement is known for its clear, balanced orchestration, effective use of full ensemble voicings, and engaging saxophone soli sections. It showcases his signature ability to write pedagogically sound yet exciting big band charts that are rewarding to perform. Q: What is the typical performance duration and tempo for this piece? A: "The Brush Off" is typically performed at a medium-up swing tempo, around 160-180 BPM. A standard performance, including an improvised solo, usually lasts approximately 3 to 4 minutes.