That's Life (G.Goodwin)

Written by Dean Kay and Kelly Gordon, "That’s Life" became an indelible cultural touchstone through Frank Sinatra’s iconic 1966 recording, cementing its status as a quintessential mid-century vocal and stylistic tour de force. While firmly rooted in the tradition of American popular song, the tune carries a gritty, blues-infused optimism and resilient swagger that naturally invites a robust jazz interpretation. It represents the sophisticated bridge between traditional big band vocal styling and hard-swinging contemporary jazz, capturing the resilient, world-weary yet triumphant spirit of 1960s mainstream jazz and entertainment. Gordon Goodwin’s masterwork big band adaptation infuses this legendary tune with his signature contemporary West Coast propulsion, explosive brass writing, and intricate, modern harmonic language. Driven by a confident, driving medium-swing groove in 4/4 time, the chart balances swagger with sophisticated urbanity. Goodwin treats the melody with both reverence and reinvention, interspersing punchy, syncopated ensemble hits with lush, contemporary saxophone voicings that expand far beyond the original chord structures. The arrangement builds through a masterclass in dynamic tension, ultimately erupting into a high-octane shout chorus that demands precision, stamina, and deep stylistic commitment from the entire ensemble. From a performance standpoint, the chart places significant demands on every section. The saxophones navigate intricate, bebop-infused soli passages that require absolute unanimity of articulation, while the brass section is called upon to execute brilliant, high-energy punches, dramatic falls, and tightly controlled dynamic swells. Rhythmic accuracy in the rhythm section is paramount; the underlying swing groove must remain relentlessly steady yet elastic enough to support the shifting textures. Solo opportunities allow featured performers to stretch out over contemporary blues-oriented changes, making it a brilliant showcase for a standout horn player. Advanced high school, collegiate, and professional big bands will find this arrangement an exceptionally rewarding centerpiece for festival programs or concert sets. Because of its demanding brass ranges, complex independent rhythmic figures, and the requisite sophisticated swing feel, it requires a mature ensemble capable of balancing powerhouse volume with subtle, understated groove. Directors seeking a crowd-pleasing chart that marries recognizable vocal-era nostalgia with cutting-edge contemporary big band orchestration will discover an enduring staple in this Goodwin masterpiece. Executing Gordon Goodwin’s arrangement of "That’s Life" requires meticulous attention to the stylistic intersection of traditional swing and modern big band articulation. The tempo should anchor firmly in a confident, driving medium swing; avoid rushing the quarter note, as the pocket must remain wide and relaxed to let the swagger breathe. Brass players should approach high-register passages with a focused, centered tone rather than forced volume, utilizing crisp tongue-strokes on accented figures and clean, controlled falls and doits. The rhythm section acts as the primary engine: the drummer should maintain a classic ride-cymbal sizzle with feathered bass drum, while the pianist and bassist lock in on syncopated comping figures that outline Goodwin's rich extensions. During rehearsal, isolate the sax soli to ensure clean, feather-light articulation, and balance the dynamic contrast carefully between the understated verse statements and the thunderous, wide-open shout chorus. Q: What instruments and parts are included in this arrangement? A: This complete 17-instrument big band arrangement includes full instrumentation for 5 saxophones (2 altos, 2 tenors, 1 baritone), 4 trumpets, 4 trombones, guitar, piano, bass, and drums, along with a comprehensive 51-page conductor score. Q: What is the difficulty level of this chart? A: This arrangement is graded as advanced (Level 4–5), making it best suited for collegiate, advanced high school, community, and professional big bands that possess strong technical proficiency and endurance. Q: What is the musical style and historical context of the piece? A: Originally made famous by Frank Sinatra in 1966, this piece is arranged in a high-energy, contemporary medium-swing style that blends classic mid-century vocal swagger with Gordon Goodwin's modern West Coast big band sensibilities. Q: What makes this particular Gordon Goodwin arrangement unique? A: It transforms a classic vocal standard into an instrumental showcase by incorporating signature Goodwin elements, including lush extended harmonies, intricate sax soli sections, driving syncopation, and a powerhouse shout chorus. Q: What is the performance duration and tempo feel of the arrangement? A: While performance time varies slightly based on chosen solo lengths, the chart runs approximately 3.5 to 4 minutes and is driven by a steady, swinging 4/4 medium-tempo groove.