That's A Plenty (B.Myagkov)

Rooted in the foundational era of early jazz and Dixieland evolution, "That's A Plenty"—originally composed by Lew Pollack and famously championed by driving rhythm stylists like Ray Bauduc—stands as one of the most enduring ragtime-jazz crossover standards in American music history. Bridging the gap between turn-of-the-century polyphonic syncopation and the high-octane drive of the swing era, the piece has challenged and delighted instrumentalists for over a century. Its infectious, multi-strain framework provides an ideal canvas for large-ensemble adaptation, inviting both historical reverence and fresh harmonic exploration. Boris Myagkov’s dynamic big band interpretation breathes new life into the classic, transforming a traditional ragtime staple into a swinging, full-throttle showcase. Set with a driving, medium-up swing feel in 4/4 meter, the arrangement radiates an exuberant, celebratory mood reminiscent of late-night jam sessions and classic 1930s and 40s radio broadcasts. Myagkov bypasses static period imitation, injecting rich modern section voicings, crisp counterpoint, and clever textural shifts that keep the energy relentless from the downbeat to the final harmonic punch. The structural architecture of this 38-page chart relies on a masterclass of section interplay. The melody is tossed dynamically between the brass and saxophones, featuring tightly knit soli sections that require absolute precision and unified articulation. As the arrangement builds toward its climax, a high-octane shout chorus unfurls, utilizing extended harmonies and aggressive dynamic contrast to showcase the ensemble's power. Technical challenges lie primarily in rapid, articulated scalar passages for the woodwinds and nimble-fingered flexibility across the brass register, making it deeply rewarding for players who relish fast-paced swing styles. Advanced high school, collegiate, and professional community big bands will find this chart an exceptional vehicle for festival performance or standard concert programming. It demands strong sectional independence, agile lead players, and a rhythm section capable of laying down an unyielding, buoyant groove. Conductor and ensemble alike will appreciate how Myagkov balances nostalgic historical nodding with sophisticated, contemporary big band scoring. Navigating Boris Myagkov’s arrangement of "That's A Plenty" successfully requires meticulous attention to articulation, tempo stability, and stylistic consistency. - **Tempo and Feel:** Maintain a bright, driving swing feel (approx. quarter note = 166–176 BPM). Avoid rushing the tempo during dynamic peaks; the forward momentum must come from the rhythm section's underlying pulse rather than an accelerating metronome. - **Technical Challenges:** The primary technical hurdles involve rapid sixteenth-note unison lines in the saxophone and trumpet sections. Clean, synchronized tongue-slur patterns are essential. Ensure that accented notes speak clearly without sacrificing the overarching legato swing line. - **Stylistic Effects:** Stylistic devices such as doits, falls, and targeted cup or plunger mutes in the brass section should be executed with clean, uniform intonation. Keep all background figures dynamically subservient to whichever section or soloist carries the primary melodic line. - **Rehearsal Strategy:** Isolate the dense counterpoint sections during early rehearsals, practicing them at a slower tempo to lock in intonation and balance before pushing up to performance speed. Q: What instruments and parts are included in this arrangement? A: This 17-instrument big band arrangement includes parts for Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, a full brass section, and a complete rhythm section, accompanied by a comprehensive conductor score. Q: What is the difficulty level of this chart? A: This arrangement is best suited for advanced high school, collegiate, and professional community big bands that possess strong section cohesion and agile lead players. Q: What is the historical style and background of the piece? A: The piece is rooted in the early jazz and ragtime repertoire famously interpreted by swing-era icons like Ray Bauduc, updated here into a vibrant swing-era big band vehicle. Q: What makes Boris Myagkov's arrangement unique? A: Myagkov's treatment stands out through its clever blending of traditional ragtime melodies with contemporary big band voicings, intricate soli passages, and a high-energy shout chorus. Q: What is the recommended performance tempo and duration? A: The chart is designed for a bright, medium-up swing tempo (around 166–176 BPM) and typically runs approximately 3 minutes in performance duration.