Six Flats Unfurnished (D.Maltby)

Don Maltby's "Six Flats Unfurnished" emerged from the vibrant big band era, a testament to the sophisticated swing arrangements that defined the mid-20th century. While not as universally recognized as some canonical jazz standards, its clever harmonic structure and engaging melodic lines have long made it a favorite among musicians and connoisseurs of classic big band repertoire. The title itself hints at a playful, almost architectural approach to its musical construction, offering a canvas for imaginative interpretation. This piece embodies the quintessential swing feel, characterized by a buoyant rhythmic drive and a blend of intricate ensemble passages with opportunities for individual expression, firmly rooting it in the golden age of big band jazz. Benny Goodman's arrangement of "Six Flats Unfurnished" elevates Maltby's composition with the King of Swing's signature touch. Goodman, renowned for his precision, clarity, and infectious swing, crafts an arrangement that is both historically authentic and musically compelling. Expect meticulously voiced saxophone soli sections that shimmer with characteristic Goodman-era blend, often featuring tight, unison melodic statements punctuated by brass interjections. The brass writing is equally impactful, employing crisp articulations and dynamic contrasts that propel the ensemble forward. Goodman's approach emphasizes a medium-up swing tempo, maintaining a bright, energetic feel throughout, while his harmonic choices remain firmly within the classic swing idiom, utilizing rich, extended chords without venturing into overly modern territory. The arrangement opens with an engaging ensemble statement, immediately establishing its confident, swinging character. The melody is predominantly carried by the saxophone section, often in a tight soli, before being passed to the brass for powerful counter-melodies or full-ensemble shout sections. Featured solo opportunities are strategically placed, offering a platform for improvisation over the piece's well-crafted changes, typically for tenor saxophone and trumpet, allowing for both lyrical and fiery expressions. Technical challenges include maintaining precise ensemble articulation, particularly in the fast-moving soli passages, and achieving a cohesive blend across all sections. The rewarding aspect lies in the sheer joy of performing a meticulously crafted swing chart, where every part contributes to a unified, driving musical experience. This arrangement is ideally suited for advanced high school, collegiate, community, and semi-professional big bands. Its demands for tight ensemble playing, strong section leadership, and authentic swing interpretation make it an excellent vehicle for developing musicality and historical understanding. While requiring proficient instrumentalists, the clear articulation and well-defined structure make it accessible for bands ready to tackle classic big band repertoire with authenticity and flair. Conductors should prioritize establishing a consistent, medium-up swing feel from the outset, emphasizing a light, buoyant rhythmic pulse in 4/4 time. Articulation is paramount; brass should aim for crisp, precise attacks and releases, while the saxophones should maintain a smooth, connected legato in soli passages, contrasting with sharper accents where indicated. Pay close attention to dynamic contrasts, using them to build tension and release, particularly leading into and out of the shout choruses. Rehearsal time should be dedicated to balancing the intricate saxophone soli sections, ensuring inner voices are heard without overpowering the lead. Soloists should be encouraged to embrace the swing aesthetic, focusing on melodic and rhythmic invention within the harmonic framework. There are no specific extended techniques (like plungers or falls) explicitly notated, allowing for a clean, classic interpretation, but subtle stylistic embellishments can be added by individual players if appropriate to the ensemble's sound. Q: What instruments and parts are included in this arrangement? A: This big band arrangement includes parts for 17 instruments: Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Piano, Bass, Drums, and Guitar. Q: What is the difficulty level of "Six Flats Unfurnished (D.Maltby)" arranged by Benny Goodman? A: This arrangement is considered advanced high school to collegiate/community level. It requires strong section playing, precise articulation, and a solid understanding of the swing idiom, making it suitable for experienced ensembles. Q: What musical style and historical context does this arrangement represent? A: This arrangement is a classic jazz standard from the big band era, embodying the medium-up swing style prevalent in the mid-20th century. It showcases the sophisticated ensemble writing and energetic feel characteristic of that period. Q: What makes Benny Goodman's arrangement of "Six Flats Unfurnished" unique? A: Goodman's arrangement is distinguished by its meticulous voicings, particularly in the saxophone soli sections, and its crisp, driving brass writing. It captures the authentic sound and precision associated with his iconic big band. Q: What is the typical performance duration or tempo of this piece? A: The arrangement is typically performed at a medium-up swing tempo, around 180-200 BPM. The exact duration will vary based on solo lengths, but it generally falls within the 3-5 minute range.