One In A Million (D.Eshelman)

"One In A Million," composed by the esteemed trombonist, arranger, and educator David Eshelman, stands as a testament to contemporary big band writing, masterfully arranged for the modern jazz ensemble by the legendary Bobby Shew. While the title "One In A Million" might evoke popular tunes from other genres, Eshelman's creation is firmly rooted in the rich tradition of original big band jazz, showcasing his distinctive compositional voice that has been championed by his Jazz Garden Big Band and performed by groups across the United States and Europe. Eshelman is celebrated for his contributions to big band literature, often blending sophisticated harmonies with compelling rhythmic drive, a characteristic evident in this work. This arrangement unfolds as a medium-tempo swing chart, typically set in a bright, engaging key that allows the brass and saxophone sections to resonate with clarity and warmth. The musical character is one of sophisticated energy, balancing intricate ensemble work with ample space for individual expression. It evokes a feeling of confident swagger and refined groove, making it an ideal vehicle for a band looking to showcase both precision and soulful improvisation. Shew's arrangement maintains a consistent, propulsive swing feel in 4/4, demanding rhythmic exactitude and a unified approach to articulation from all sections. Bobby Shew, renowned for his virtuosity as a trumpet player and his profound understanding of big band dynamics, brings a distinctive arranging approach to Eshelman's composition. Shew's charts are celebrated for their intelligent voicings, which often feature tight, harmonically rich brass and sax soli sections that drive the piece forward. Expect carefully crafted shout choruses that build intensity, showcasing the full power of the 17-instrument ensemble (Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Guitar, Piano, Bass, Drums). His arrangements frequently incorporate subtle rhythmic displacements and dynamic shifts, adding depth and excitement. Shew's experience as an educator and performer means his arrangements are not only musically compelling but also thoughtfully constructed to be both challenging and rewarding for musicians. The melody is initially carried by a combination of lead alto saxophone and trumpet, establishing the tune's memorable theme. The arrangement features prominent solo opportunities, typically for trumpet and tenor saxophone, allowing featured improvisers to explore the harmonic landscape. Technical challenges include precise ensemble attacks and releases, navigating complex chromatic passages within the soli sections, and maintaining a consistent, driving swing feel throughout. The rewarding aspect lies in the collective achievement of executing Shew's intricate voicings and the exhilarating experience of the powerful shout choruses. This arrangement is ideally suited for advanced high school, college, community, and professional big bands. Its demands on technical proficiency, ensemble blend, and improvisational skill make it an excellent choice for groups aiming to perform sophisticated, modern jazz repertoire with authenticity and flair. Conductors should emphasize a precise, yet relaxed, medium swing feel from the outset, ensuring the rhythm section lays down a solid, unhurried foundation. The tempo should allow for clarity in the intricate saxophone and brass soli passages without sacrificing momentum. Key technical challenges include the tight, often harmonically dense voicings in the brass and saxophone sections, requiring careful attention to balance and intonation. Rehearsal should focus on isolating these soli sections, practicing them slowly to achieve rhythmic accuracy and blend before bringing them up to tempo. Trumpet players, especially the lead, will need strong endurance and a clear, focused tone for the upper register demands of the shout choruses. Encourage all musicians to listen across sections to ensure unified articulation and dynamic shaping. While no specific special techniques like plunger mutes are explicitly required, a strong sense of jazz articulation—falls, scoops, and ghost notes—will enhance the authentic jazz character. **Q: What instruments and parts are included in this arrangement?** A: This comprehensive big band arrangement includes parts for 17 instruments: Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Guitar, Piano, Bass, and Drums. The full conductor score is also included, totaling 78 pages. **Q: What is the difficulty level of "One In A Million (D.Eshelman) arranged by Bobby Shew"?** A: This arrangement is considered advanced, suitable for college, community, and professional big bands. It demands strong technical proficiency, advanced sight-reading skills, and mature improvisational abilities from soloists. **Q: What is the musical style and historical context of this piece?** A: "One In A Million" is an original jazz standard composed by David Eshelman, firmly placed within the contemporary big band jazz tradition. Bobby Shew's arrangement provides a modern, sophisticated take on the genre, reflecting the evolution of big band writing in the late 20th and early 21st centuries. **Q: What makes Bobby Shew's arrangement of "One In A Million" unique?** A: Bobby Shew's signature style is evident in the arrangement's sophisticated voicings, dynamic soli sections, and powerful shout choruses. His deep understanding of big band mechanics ensures a challenging yet highly rewarding piece that showcases the full ensemble's capabilities. **Q: What is the typical performance duration and tempo for this arrangement?** A: "One In A Million" is typically performed as a medium swing, with a tempo that allows for clarity in its intricate passages while maintaining a driving jazz feel. The exact duration will vary based on improvised solos, but it generally falls within the 5-7 minute range.