Love Is Just Around The Corner (D.Wolpe)

Arthur Johnston and Leo Robin originally penned "Love Is Just Around the Corner" for the 1934 Paramount musical film *She Loves Me Not*, where it was introduced by Bing Crosby. It rapidly transitioned from Hollywood soundstages into the permanent jazz canon, favored by seminal instrumentalists and vocalists alike for its buoyant, optimistic melody and deceptively sophisticated chord progression. The tune epitomizes the mid-1930s swing era aesthetic, offering a bridge between classic Tin Pan Alley songwriting and the expanding harmonic vocabulary of burgeoning big band jazz. Dave Wolpe’s masterful big band adaptation captures the buoyant optimism of the original while injecting it with a high-energy, driving medium-swing feel. Set in a bright, finger-snapping tempo in a horn-friendly concert key, the chart radiates an upbeat, joyful energy reminiscent of classic Count Basie and Nelson Riddle orchestrations. Wolpe constructs the arrangement with a rich, dynamic palette, utilizing crisp dynamic contrasts, walking basslines, and punchy brass stabs to keep both the performers and listeners fully engaged from the downbeat. Renowned for his idiomatic, playable writing that never sacrifices authenticity, Wolpe structures this arrangement to showcase the entire 17-piece ensemble. The saxophones introduce the primary thematic material with a tight, harmonically rich soli before trading off with powerhouse brass interventions. Trumpets and trombones are given ample opportunity to bark and blare through classic swing-era figures, culminating in a roaring, full-ensemble shout chorus that drives relentlessly toward an explosive, tightly unified final chord. Featured solo space allows a standout horn player to stretch out over standard changes, while rhythm section parts provide a secure, propulsive foundation complete with suggested comping figures and a crisp ride-cymbal pulse. Advanced high school ensembles, collegiate jazz orchestras, and professional community big bands will find this chart to be an exceptionally rewarding addition to their repertoire. While the independent part independence requires solid reading skills and precise section articulation, Wolpe’s thoughtful scoring ensures that the technical demands remain accessible to developing players who possess a fundamental grasp of swing phrasing. It serves as an ideal festival opener, concert closer, or high-impact centerpiece for any mainstream jazz program. Success with this Dave Wolpe chart hinges entirely on a unified, driving medium-swing groove. The rhythm section must lock in immediately; the drummer should maintain a steady, unhurried ride pattern with crisp hi-hat chicks on beats two and four, while the bass player anchors the ensemble with a relentless, acoustic-sounding walking quarter-note line. Brass players should pay close attention to articulation markings, ensuring that short notes are crisp and accented notes receive proper weight without distorting the overall tone. Watch out for dynamic balance during the shout chorus; the saxophones must project forcefully when doubling or countering brass lines, and the lead trumpet needs to soar effortlessly over the top without pinching. Rehearsal should begin slowly to lock in the unison swing eighth-note figures, gradually accelerating to performance tempo once the section blend and intonation are secure. Q: What instruments and parts are included in this arrangement? A: This standard 17-instrument big band arrangement includes full scores and parts for 5 saxophones (2 altos, 2 tenors, 1 baritone), 4 trumpets, 4 trombones, and a standard 4-piece rhythm section comprising piano, guitar, bass, and drums. Q: What is the difficulty level of this Dave Wolpe chart? A: It is graded as medium-advanced, making it ideal for skilled high school ensembles, collegiate jazz bands, and professional community groups with a strong grasp of swing-era articulation. Q: What is the style and historical context of "Love Is Just Around The Corner"? A: Originally introduced by Bing Crosby in the 1934 film *She Loves Me Not*, this arrangement frames the composition in a classic, high-energy medium-swing style reminiscent of the golden age of big bands. Q: What makes this specific arrangement by Dave Wolpe unique? A: Wolpe balances authentic, vintage swing textures with contemporary big band accessibility, featuring tight saxophone solis, crisp dynamic contrast, and a powerhouse shout chorus. Q: What is the typical performance tempo and duration? A: The chart is set in a bright, driving medium-swing tempo (approximately quarter note = 144-152 BPM) and runs for roughly 3 to 4 minutes, making it an ideal festival piece or concert opener.