It's Not Polite To Point (G.Goodwin)

Composed and originally recorded for Gordon Goodwin’s Big Phat Band album *That’s How We Roll*, "It’s Not Polite To Point" represents the pinnacle of contemporary West Coast big band writing. Emerging from Goodwin’s prolific modern library, this chart showcases the sophisticated, high-energy compositional voice that has earned the ensemble multiple Grammy Awards and redefined modern large-ensemble jazz. Built squarely on a driving, contemporary swing framework, the piece balances intricate harmonic structures with an infectious groove that channels classic big band swagger through a modern lens. Musically, the work is characterized by a relentless medium-up swing tempo, rich extended voicings, and an assertive, witty mood. Goodwin crafts a soundscape defined by thick brass counterlines, crisp saxophone solis, and relentless rhythmic momentum driven by the rhythm section. The emotional landscape shifts dynamically between cool, sophisticated sophistication and explosive, full-ensemble jubilation. The writing avoids predictable patterns, employing unexpected harmonic turns and clever rhythmic motifs that keep both performers and listeners fully engaged from the opening measure to the final chord. True to Goodwin’s signature style, the arrangement heavily spotlights section interplay, giving the trombone section a prominent, star-turning feature. The low brass carry the primary thematic weight, requiring exceptional section blend, agility, and stamina to navigate fast-moving lines. Beyond the featured trombone choir, the chart includes structured solo changes designated for trombones 1 and 2, alto and tenor saxophones, baritone saxophone, and 4th trumpet, offering ample space for multiple improvisers to stretch out over challenging modern changes. While the lead trumpet part tops out at a manageable high G, the real technical demand lies in the rhythm section's pocket, tight ensemble articulation, and the physical endurance required of the brass. Advanced collegiate, community, and professional big bands will find this arrangement an ideal vehicle for showcasing elite section work and versatile soloists. Because of its sophisticated harmonic vocabulary and rigorous demands on section alignment, it serves as an exceptional festival chart or a standout centerpiece for a sophisticated concert program. Navigating "It’s Not Polite To Point" successfully requires careful attention to contemporary swing phrasing, dynamic balance, and physical endurance—particularly for the low brass section. - **Tempo and Feel:** Establish a confident, driving medium-up swing feel. Avoid rushing the triplets; the groove must sit comfortably in the back of the beat to maintain its signature "fat" Phat Band pocket. - **Trombone Section Focus:** Because the trombones carry the bulk of the thematic material, prioritize section blend and intonation. Ensure that lighter background figures do not obscure the primary melodic lines traded across the section. - **Articulation:** Clean, precise articulation is paramount. Accents and staccato markings must be crisp and uniform across all sections, especially during rapid ensemble unison passages and shout choruses. - **Endurance and Dynamics:** The chart features extended blowing passages for the brass. Conductors should monitor dynamic ceilings during middle sections to ensure players have the stamina required for the climactic peaks toward the end of the chart. - **Rhythm Section:** The piano and guitar should comp with sparse, modern voicings that complement the altered chord structures, while the bass and drums lock in a resilient, driving swing foundation. Q: What instruments and individual parts are included in this arrangement? A: The arrangement includes a complete 17-to-19-instrument big band instrumentation, featuring standard parts for 4 trumpets, 4 trombones (including bass trombone), 5 saxophones (2 altos, 2 tenors, 1 baritone), piano, guitar, string bass, drums, and auxiliary percussion, alongside a comprehensive conductor score. Q: What is the difficulty level of this chart? A: This arrangement is graded as a Grade 6 (Advanced / Professional) chart, best suited for top-tier university ensembles, professional big bands, and advanced community jazz orchestras. Q: What is the musical style and historical background of the piece? A: It is a contemporary swing chart composed and arranged by Gordon Goodwin, originally recorded by Gordon Goodwin's Big Phat Band on their acclaimed studio album *That’s How We Roll*. Q: What makes this specific arrangement unique compared to standard swing charts? A: It serves as a dedicated showcase for the trombone section, placing the low brass in the spotlight with intricate, fast-moving melodic lines while distributing open solo opportunities across multiple horns including trombones, saxophones, and trumpet. Q: What is the recommended tempo and performance duration? A: The piece is set at a driving medium-up swing tempo, designed to span approximately 4 to 6 minutes of high-energy performance time ideal for concert programming or festival adjudication.