It'll Count If It Goes (G.Goodwin)

Composed and arranged by multi-Grammy Award-winning composer Gordon Goodwin, "It'll Count If It Goes" channels the quintessential swinging aesthetic of the Count Basie Orchestra while bearing Goodwin’s signature contemporary harmonic gloss. Originally recorded by master jazz trombone virtuoso Bill Watrous, this chart represents a masterclass in driving momentum, economy of space, and sophisticated blues writing. It stands out as a brilliant hybrid of traditional Kansas City-style big band swing and modern compositional craft, making it an engaging staple for programmers seeking substance and high audience appeal. Operating at a comfortable medium-slow swing tempo, the chart is anchored by an infectious blues groove that relies heavily on relaxed, authoritative time-feel rather than sheer velocity. The emotional trajectory moves from a cool, laid-back swagger to an exhilarating, high-energy climax. Goodwin’s structural design avoids overcomplication, instead focusing on transparent textures and dynamic pacing. The musical narrative is driven by clever interlocking counterlines and a meticulous command of big band coloration, shifting effortlessly from sparse, conversational rhythm section interplay to towering, full-ensemble climaxes. Goodwin infuses the arrangement with distinct structural highlights, most notably a sophisticated saxophone soli that begins with an understated, relaxed demeanor before building into an expressive feature for a standout jazz trumpeter. Following this, an arresting a cappella brass soli takes center stage, ratcheting up the tension organically as the saxophones and rhythm section incrementally re-enter to launch a blistering, romping shout chorus. The lead alto saxophone part includes a specialized double on flute, adding an extra layer of textural timbre to the woodwind section's palette. Advanced high school ensembles, collegiate jazz orchestras, and professional big bands will find this chart to be an exceptional vehicle for developing internal time, stylistic stylistic integrity, and section cohesion. Because the technical demands prioritize stylistic execution, articulation, and swing subdivision over breakneck finger-busters, bands can focus entirely on achieving an authentic, fat groove and unified phrasing. It provides a rewarding challenge that highlights section balance and individual soloistic expression without relying on pyrotechnics. Success with "It'll Count If It Goes" hinges entirely on the rhythm section’s ability to lock in a deep, unhurried medium-slow swing groove. Conductors should caution the band against rushing the triplets; the pocket must remain relaxed and heavy behind the beat to capture the intended Basie-esque attitude. The primary technical hurdle lies in the precise execution of the dynamic build-ups within the soli and a cappella sections. For the saxophone soli, ensure the articulation is clean, light, and forward-moving, matching the lead player's inflection precisely. During the a cappella brass soli, the ensemble must maintain pitch center and dynamic control without the safety net of the rhythm section, using controlled crescendos to heighten anticipation before the full band re-entry. Encourage section leaders to exaggerate stylistic nuances—such as long-short articulations on eighth-note lines and subtle sub-tone drops in the saxes. Rehearsals should isolate the shout chorus to balance the brass against dense saxophone counterlines, ensuring every dynamic layer speaks clearly. Q: What specific instruments and parts are included in this arrangement? A: The complete 70-page set includes a full conductor's score and 17 individual parts: Alto Saxophone 1 (with flute double), Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, and Drum Set. Q: What is the difficulty level of this chart? A: It is graded as a medium difficulty arrangement, making it ideal for proficient high school groups, collegiate jazz bands, and community big bands looking to refine their swing feel. Q: What is the musical style and historical background of the piece? A: Written in a traditional Count Basie blues style, the chart was recorded by legendary trombonist Bill Watrous and adapted by Gordon Goodwin to blend classic Kansas City swing with modern big band arranging sensibilities. Q: What makes this particular Gordon Goodwin arrangement unique? A: Unlike Goodwin's hyper-complex funk or high-octane fusion charts, this piece relies on a laid-back blues aesthetic, featuring a progressive sax soli, an exposed a cappella brass soli, and a powerful, building shout chorus. Q: What is the performance tempo and expected duration? A: The piece is set at a medium-slow swing tempo, typically ranging around 4 to 5 minutes in duration depending on the length of the open solo sections and improvisational pacing.