Home In Pasadena (A.Lange) sheet music preview

Home In Pasadena (A.Lange)

Composed by Harry Warren

Arranged by A. Lange

  • Ensemble: Big Band
  • Style: Foxtrot
  • Pages: 26
  • Instruments (16): Piano, Flute, Clarinet in B-Flat, Alto Saxophone 1, Alto Saxophone 3, Tenor Saxophone 2, B-Flat Trumpets, Horns in F, Trombone, Violin 1, Violin 2, Viola, Cello, Bass, Banjo, Drums
  • Difficulty: medium
  • Content: Individual Parts
  • Format: PDF Download (Instant)
  • Price: $24.99

"Home In Pasadena," originally penned by the prolific Harry Warren, emerged from the vibrant musical landscape of the 1920s and 30s, a golden age for American popular song and the burgeoning big band era. While many associate Warren with iconic film scores and Broadway hits, this particular tune captures the effervescent spirit of early jazz and dance music, embodying the optimism and rhythmic vitality of the Foxtrot. It became a staple for dance orchestras and was famously popularized by artists like The Boswell Sisters and Guy Lombardo, solidifying its place as a charming, enduring standard that evokes images of sun-drenched California and carefree revelry. Its melodic simplicity combined with its infectious rhythmic drive makes it a perfect vehicle for big band interpretation. This A. Lange arrangement masterfully reinterpreimagines "Home In Pasadena" as a bright, medium-up Foxtrot, set firmly in the key of C Major. The overall mood is undeniably cheerful and energetic, radiating a classic, feel-good swing that is both nostalgic and invigorating. Lange's distinctive approach honors the tune's historical roots while infusing it with sophisticated big band voicings and dynamic contrasts. The arrangement opens with a crisp, rhythmic introduction, immediately establishing the buoyant tempo and setting the stage for the melody's entrance. Throughout, Lange employs a characteristic blend of tight, harmonically rich brass voicings and flowing saxophone soli sections, creating a full, resonant sound that is a hallmark of his writing. The melody is initially carried by the lead alto saxophone, offering a clear, articulate statement before being passed to the full saxophone section in a beautifully voiced soli. Later, the brass sections take their turn, presenting the theme with punch and precision. While there isn't an extended open solo section, Lange cleverly integrates brief, written-out melodic fills and counter-melodies for various sections, providing moments for individual sections to shine within the ensemble context. A particularly rewarding aspect of this arrangement is the meticulously crafted shout chorus, which builds dynamically and harmonically, culminating in a powerful, uplifting climax that will leave audiences tapping their feet. The technical demands are moderate, focusing on clean articulation, precise rhythmic ensemble playing, and dynamic control rather than extreme ranges or rapid-fire improvisation. This arrangement is ideally suited for high school and college jazz ensembles seeking to expand their repertoire with a classic Foxtrot that offers both historical context and engaging musicality. Community bands will also find it a delightful and accessible piece, providing ample opportunity to develop ensemble blend and rhythmic cohesion. Its bright character and well-structured form make it a rewarding performance piece that is sure to be a crowd-pleaser, delivering a dose of vintage big band charm with every note. Conductors should aim for a consistent, bright medium-up Foxtrot tempo, around 180-190 BPM, emphasizing a light, driving swing feel rather than a heavy, four-on-the-floor pulse. Articulation is key throughout; encourage brass players to use short, crisp staccatos and saxophones to maintain a smooth, connected legato in soli sections, contrasting with punchier figures. Pay close attention to dynamic markings, particularly the crescendos leading into the shout chorus, ensuring a gradual and impactful build. Rehearsal time should be dedicated to perfecting the ensemble's rhythmic precision, especially in the unison and octave figures, and balancing the intricate voicings within the saxophone and brass sections. No special mutes or extended techniques are required, allowing the focus to remain on clean execution and a unified, energetic sound. Q: What instruments are included in this arrangement? A: This big band arrangement includes parts for 17 instruments: Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Piano, Bass, Drums, and Guitar. Q: What is the difficulty level of this arrangement? A: This arrangement is rated as a medium difficulty, making it appropriate for high school, college, and community jazz ensembles. It emphasizes clean articulation and ensemble precision over extreme technical demands. Q: What musical style and historical period does "Home In Pasadena" represent? A: "Home In Pasadena" is a classic Foxtrot from the early to mid-20th century, embodying the bright, optimistic sound of the big band era and popular dance music of the 1920s and 30s. Q: What makes A. Lange's arrangement of "Home In Pasadena" unique? A: A. Lange's arrangement is distinguished by its sophisticated big band voicings, dynamic contrasts, and a meticulously crafted shout chorus that builds to an uplifting climax, all while honoring the original tune's cheerful, Foxtrot character. Q: What is the approximate performance duration and tempo for this piece? A: The approximate performance duration for this arrangement is around 3:00-3:30 minutes, played at a bright medium-up Foxtrot tempo, typically around 180-190 beats per minute.

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