Get It On ((V.Lopez)

The vibrant tapestry of American popular music is rich with tunes that transcend their original genre, and "Get It On" by Vincent Lopez is a prime example. While the title might immediately conjure images of Bill Chase's iconic rock-jazz fusion hit from the early 1970s, this particular arrangement delves into an earlier, equally compelling lineage. Vincent Lopez, a prominent bandleader of the 1920s and 30s, was known for his sophisticated dance orchestra sound, bridging the gap between early jazz and popular song. His "Get It On" (often stylized as "Get It On (V. Lopez)") predates Chase's composition by decades, emerging from an era when big bands were the arbiters of popular music and dance. This arrangement, therefore, offers a fascinating look at how a foundational jazz standard, rooted in the pre-swing era's rhythmic drive and melodic charm, can be reinterpreted through a more contemporary big band lens while retaining its historical essence. It embodies the spirit of early jazz's infectious energy and melodic directness, often characterized by a bright, optimistic mood. Bill Chase's arrangement of "Get It On (V. Lopez)" is a masterful exercise in bridging eras. While the original Vincent Lopez tune likely leaned into a foxtrot or early swing feel, Chase, renowned for his fiery trumpet playing and groundbreaking fusion work, approaches this standard with a sophisticated, medium-up swing feel that is both authentic to the big band tradition and infused with his signature harmonic and rhythmic adventurousness. The piece is set primarily in a bright, driving 4/4 meter, exuding a confident and energetic mood. Chase's distinctive voicings are immediately apparent, showcasing tight, often brass-heavy soli sections that demand precision and blend. Expect rich, extended harmonies that push beyond basic triadic structures, adding a layer of complexity and modernism without sacrificing the tune's inherent swing. The arrangement features a compelling interplay between sections, with call-and-response figures and powerful shout choruses that build to exhilarating climaxes. Melodic duties are expertly distributed throughout the ensemble, ensuring engagement for all sections. The primary melody often begins in the saxophones, sometimes doubled or answered by the brass, creating a full and vibrant texture. Featured solo opportunities are integral to the arrangement, typically spotlighting a trumpet and/or tenor saxophone, allowing for improvisational prowess within the structured framework. Technically, this arrangement presents a rewarding challenge for a proficient big band. The brass parts, particularly the trumpets, require strong lead playing and endurance, often venturing into the upper register with clarity and power. The saxophone section demands excellent intonation and rhythmic accuracy for the intricate soli passages. The rhythm section needs to lay down a solid, swinging foundation with dynamic sensitivity. Performing this arrangement is incredibly rewarding due to its infectious groove, sophisticated harmonies, and the sheer exhilaration of its powerful ensemble sections. It’s a piece that truly comes alive in performance, captivating both musicians and audience alike with its blend of historical charm and contemporary big band punch. This arrangement is ideally suited for advanced high school, collegiate, community, and professional jazz ensembles. Its demands on individual section proficiency, particularly in terms of range, articulation, and ensemble blend, make it an excellent vehicle for developing musicianship at a higher level. The solo sections offer valuable opportunities for improvisation, while the complex ensemble writing fosters critical listening and rhythmic precision. It serves as an excellent program choice for concerts, festivals, or dances, offering a vibrant and engaging piece that showcases the band's technical capabilities and musical maturity. Conductors should establish a consistent, driving medium-up swing feel from the outset, emphasizing a strong rhythmic pulse from the rhythm section. Brass players, especially trumpets, need to focus on clear articulation and sustained energy in the upper register, particularly during the powerful shout choruses; encourage a bright, focused tone without overblowing. Saxophone soli sections require meticulous attention to intonation and rhythmic precision, ensuring tight ensemble figures. Dynamic contrast is crucial; emphasize the build-up to climaxes and the subtle nuances in quieter sections. Rehearsal should prioritize rhythmic accuracy in unison and soli passages, followed by harmonic balance within voicings. There are no specific extended techniques like plungers or falls indicated, but standard jazz articulations (scoops, falls, doits) should be applied tastefully where appropriate to enhance the swing feel. Q: What instruments and parts are included in this arrangement? A: This big band arrangement includes parts for 17 instruments: Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Guitar, Piano, Bass, and Drums. The full score is also included, totaling 61 pages. Q: What is the difficulty level of "Get It On (V. Lopez)" by Bill Chase? A: This arrangement is considered advanced, suitable for advanced high school, collegiate, community, and professional jazz ensembles. It demands strong individual section proficiency, particularly in brass range and endurance, and requires a cohesive ensemble for its intricate voicings and energetic shout choruses. Q: What is the musical style and historical context of this arrangement? A: This arrangement interprets Vincent Lopez's foundational jazz standard, originating from the pre-swing era of the 1920s and 30s. Bill Chase's treatment presents it as a sophisticated, medium-up swing big band chart, blending the historical charm of early jazz with more contemporary harmonic and rhythmic elements. Q: What makes Bill Chase's arrangement of "Get It On (V. Lopez)" unique? A: Chase's distinctive approach is evident in his tight, often brass-heavy voicings, extended harmonies, and powerful shout choruses that build to exhilarating climaxes. It offers a unique blend of a classic tune with the energetic and harmonically rich characteristics of Chase's signature big band sound. Q: What is the typical performance duration and tempo for this piece? A: The performance duration will vary slightly based on solo length, but typically ranges from 4-6 minutes. The piece is intended to be performed at a medium-up swing tempo, maintaining a bright, driving 4/4 feel throughout.