Flying Home (A.Dedrick)
Composed by Benny Goodman, Lionel Hampton
Arranged by Art Dedrick
- Ensemble: Big Band
- Style: Jazz Standard
- Pages: 26
- Instruments (14): Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 2, Tenor Saxophone 4, Baritone Saxophone 5, Trumpet 1, Trumpet 2, Trumpet 3, Trombone 1, Trombone 2, Trombone 3, Piano, String Bass, Drum Set
- Difficulty: medium
- Content: Individual Parts
- Format: PDF Download (Instant)
- Price: $24.99
"Flying Home," a cornerstone of the swing era, burst onto the jazz scene in 1939, co-composed by Benny Goodman and Lionel Hampton. This electrifying standard quickly became synonymous with Hampton's vibraphone virtuosity and high-energy performances, solidifying its place as an essential piece in the big band repertoire. It represents the vibrant, propulsive spirit of late 1930s and 1940s jazz, characterized by driving rhythms, sophisticated harmonies, and an infectious sense of joy. The tune's enduring popularity stems from its memorable melodic hooks and its inherent capacity for improvisation, making it a perennial favorite for both performers and audiences who crave the exhilaration of classic swing. Art Dedrick’s arrangement of "Flying Home" masterfully captures the ebullient spirit of the original while infusing it with his characteristic clarity and thoughtful voicings. This chart is conceived as a medium-up swing, typically performed around 180-200 BPM, maintaining the infectious groove that defines the piece. Dedrick’s approach is marked by impeccably voiced soli sections, particularly in the saxophone and brass choirs, which provide a rich, full-bodied sound without sacrificing individual line clarity. The arrangement is primarily in the key of F major, offering a bright and accessible harmonic landscape. The overall mood is one of unbridled excitement and sophisticated swing, designed to get feet tapping and spirits soaring. Dedrick’s distinctive touch is evident in his intelligent use of call-and-response figures between sections, building dynamic tension and release throughout the arrangement. The melody is initially carried by the alto saxophone, setting a classic big band tone, before being passed to the full saxophone section in tight, harmonized voicings. Featured solo opportunities are provided for both Alto Saxophone 1 and Tenor Saxophone 1, allowing for creative improvisation over the familiar chord changes. A powerful shout chorus, characteristic of Dedrick's writing, serves as a climactic moment, showcasing the full power of the ensemble with driving brass figures and soaring saxophone lines. The chart concludes with a robust, energetic full-band tutti, leaving a lasting impression of swing-era grandeur. This arrangement is ideally suited for high school and college jazz ensembles, as well as community bands seeking an authentic and rewarding swing experience. While demanding in terms of rhythmic precision and dynamic control, the technical challenges are well within reach for intermediate to advanced players. The clarity of Dedrick’s writing makes it an excellent teaching tool for ensemble blend, articulation, and swing feel. Performing this chart is particularly rewarding due to its iconic status, the inherent joy of the music, and the opportunity for musicians to engage with a piece that truly defines the big band tradition. This arrangement of "Flying Home" thrives on a consistent, driving medium-up swing feel, ideally around 180-200 BPM. Emphasize a light, buoyant quarter note pulse, avoiding a heavy or plodding rhythm. Key technical challenges include precise articulation in the fast soli sections, particularly for the saxophones and trumpets, and maintaining accurate intonation within the dense brass voicings. Rehearse these sections slowly, focusing on unified attacks and releases, and ensuring all players understand the swing eighth-note interpretation. Dynamic contrast is crucial; encourage strong contrasts between forte soli passages and softer, grooving accompaniment figures. The solo sections for Alto Sax 1 and Tenor Sax 1 should be approached with stylistic authenticity, encouraging improvisation that nods to the swing era. Ensure the rhythm section lays down a solid, unwavering foundation throughout, particularly during the energetic shout chorus. Q: What instruments and parts are included in this arrangement? A: This arrangement is scored for a standard 17-piece big band: Alto Saxophone 1 & 2, Tenor Saxophone 1 & 2, Baritone Saxophone, Trumpet 1-4, Trombone 1-4, Piano, Bass, and Drums. Q: What is the difficulty level of Art Dedrick's "Flying Home" arrangement? A: This arrangement is rated as an intermediate to advanced-intermediate level, making it appropriate for high school and college jazz ensembles, as well as proficient community bands. Q: What is the musical style and historical context of "Flying Home"? A: "Flying Home" is a quintessential jazz standard from the swing era, co-composed by Benny Goodman and Lionel Hampton in 1939. It embodies the high-energy, driving swing style of the late 1930s and 1940s. Q: What makes Art Dedrick's arrangement of "Flying Home" unique? A: Dedrick's arrangement is distinguished by its clear, well-voiced soli sections, intelligent use of call-and-response, and a powerful shout chorus, all while maintaining the authentic, ebullient spirit of the original swing classic. Q: What is the typical performance duration and tempo for this arrangement? A: The typical performance duration for this arrangement is approximately 3-4 minutes, and it is designed to be played at a medium-up swing tempo, generally ranging from 180-200 beats per minute.
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