Dream (A.Cobine)
Composed by Johnny Mercer
Arranged by Al Cobine
- Ensemble: Big Band
- Style: Jazz Standard
- Pages: 24
- Instruments (17): Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Guitar, Piano, Bass, Drum Set
- Difficulty: medium
- Content: Individual Parts
- Format: PDF Download (Instant)
- Price: $24.99
Johnny Mercer's timeless standard, "Dream (When You're Feeling Blue)," first charmed audiences in 1944, emerging from the heart of the swing era. Originally a sentimental ballad, it quickly became a staple of American popular song, embodying the comforting escapism and melodic beauty characteristic of wartime and post-war music. While Mercer's own rendition with The Pied Pipers is iconic, the song's enduring appeal lies in its simple yet profound message and its beautifully crafted melody, making it a favorite for vocalists and instrumentalists alike to interpret across various jazz styles. Its gentle, optimistic sentiment has solidified its place as a beloved jazz standard, frequently revisited for its lyrical charm and harmonic richness. Al Cobine's arrangement of "Dream" transforms this classic into a lush, sophisticated big band vehicle, maintaining its inherent warmth while elevating it with his signature orchestral jazz approach. This particular chart is set as a medium-slow swing ballad in 4/4, likely in a comfortable key such as C or F major, allowing the melody to unfold with grace and expressiveness. Cobine is renowned for his meticulous voicings and his ability to infuse traditional standards with a contemporary yet respectful sensibility. Expect rich, often dense harmonies in the brass and sax sections, creating a full, enveloping sound that supports the melody without overpowering it. The mood is one of tender reflection and gentle optimism, making it an ideal choice for a concert opener or a featured ballad spot. Cobine's distinctive arranging style shines through in his treatment of "Dream." The melody is initially presented by a lead instrument, perhaps a featured tenor saxophone or trumpet, allowing for a lyrical, expressive interpretation. This is often followed by a beautifully voiced saxophone soli, showcasing Cobine's mastery of ensemble blending and harmonic color. Expect subtle counter-melodies and rhythmic interplay that add depth without sacrificing the song's inherent simplicity. While there may not be an extended open solo section, Cobine often integrates short, melodic improvisational opportunities or written-out solos that fit seamlessly into the arrangement's fabric. The chart culminates in a powerful yet controlled shout chorus, building dynamic intensity before returning to a serene, reflective close, often featuring a delicate brass or woodwind texture. This arrangement is ideally suited for college-level jazz ensembles, advanced community bands, and professional groups. The technical demands are moderate, focusing more on blend, balance, and expressive phrasing rather than extreme instrumental acrobatics. It requires musicians with a strong sense of swing feel and an appreciation for nuanced dynamics. The reward lies in performing a beautifully crafted piece that allows the ensemble to showcase its collective musicality, delivering a timeless melody with a sophisticated, orchestral jazz treatment. This arrangement of "Dream" thrives on a sensitive, medium-slow swing feel; avoid rushing the tempo, allowing the melody and harmonies to breathe. The primary technical challenge lies in achieving precise intonation and blend within the rich, often close voicings, particularly in the saxophone soli sections and the brass chorales. Conductors should emphasize careful listening across sections to ensure a seamless ensemble sound. Dynamic contrast is paramount; practice the subtle swells and diminuendos, especially in the ballad sections, to convey the piece's emotional depth. Articulation should be smooth and legato throughout, with precise releases on sustained notes. While no specialized techniques like plungers or doits are explicitly required, musicians should be prepared to shape phrases lyrically and with expressive vibrato where appropriate. Rehearsal time should focus on balancing the ensemble, ensuring the lead voice is always clear yet well-supported, and perfecting the transitions between melodic statements and ensemble passages. Q: What instruments are included in this arrangement? A: This arrangement is scored for a standard 17-piece big band instrumentation, including Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Trombone 4, Piano, Bass, Drums, and Guitar. Q: What is the difficulty level of Al Cobine's "Dream" arrangement? A: This arrangement is rated as medium-advanced, suitable for college-level jazz ensembles, advanced community bands, and professional groups. It requires strong ensemble playing, precise intonation, and a developed sense of musicality and phrasing. Q: What is the musical style and historical context of this arrangement? A: This is a big band arrangement of the jazz standard "Dream (When You're Feeling Blue)," originally composed by Johnny Mercer in 1944. Al Cobine's treatment presents it as a sophisticated, medium-slow swing ballad, characteristic of the orchestral jazz style that respects the original's melodic integrity while adding rich, contemporary harmonies. Q: What makes Al Cobine's arrangement of "Dream" unique? A: Cobine's arrangement is distinguished by its lush, intricate voicings, particularly in the saxophone soli and brass sections, and its ability to transform a classic ballad into a full-bodied big band piece without losing its tender character. It features a blend of ensemble passages, melodic lead lines, and a powerful, yet controlled, shout chorus. Q: What is the typical performance duration and tempo for this piece? A: The typical performance duration for this medium-slow swing ballad is approximately 4-5 minutes, depending on interpretation and any improvised sections. The tempo should be maintained consistently around a comfortable medium-slow swing, allowing for expressive phrasing and harmonic clarity.
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