Cocktails For Two (V.Alexander)
Composed by Sam Coslow, Arthur Johnston
Arranged by Van Alexander
- Ensemble: Big Band
- Style: Foxtrot
- Pages: 39
- Instruments (17): Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Trombone 1, Trombone 2, Trombone 3, Bass Trombone, Piano, Bass, Drums, Guitar
- Difficulty: medium
- Content: Individual Parts
- Format: PDF Download (Instant)
- Price: $24.99
"Cocktails For Two," originally penned by Sam Coslow and Arthur Johnston in 1934, emerged as a quintessential tune of the pre-swing era, initially featured in the film *Murder at the Vanities*. While its initial reception was modest, it gained significant traction and became a beloved standard through countless recordings, notably by Duke Ellington and later, a highly influential comedic rendition by Spike Jones and His City Slickers in the 1940s. This enduring popularity solidified its place in the American songbook, representing the sophisticated, often whimsical, musical landscape of the 1930s and early 1940s. Its melodic charm and harmonic simplicity made it ripe for diverse interpretations, from romantic ballads to novelty numbers, showcasing its versatility as a musical canvas. Van Alexander's arrangement of "Cocktails For Two" presents a classic Foxtrot interpretation, imbued with the smooth, elegant swing feel characteristic of the big band era. Set in the key of F Major, this arrangement maintains a medium-slow, relaxed tempo, evoking a sense of nostalgic sophistication and understated charm. The musical character is one of effortless grace, perfect for setting a refined, yet inviting, mood. Alexander’s signature approach to big band scoring is evident throughout, emphasizing lush, well-balanced voicings and a clear, articulate melodic presentation. The arrangement steers clear of overly complex harmonic substitutions, instead focusing on a rich, full-bodied sound that allows the melody to shine, supported by warm brass and saxophone textures. The arranger's treatment features a compelling interplay between sections. The melody is predominantly carried by the saxophone section, often in unison or tight, harmonized voicings, providing a smooth, lyrical foundation. Brass interjections are carefully placed, offering punctuation and harmonic depth without overpowering the lead. A standout feature is Alexander's use of a beautifully crafted saxophone soli, which showcases the section's blend and precision. While there are no extended improvised solo sections in the traditional sense, the arrangement allows for expressive phrasing and nuanced dynamics from all players. The piece builds subtly towards a full ensemble shout chorus that maintains the elegant Foxtrot feel, culminating in a satisfying, well-resolved ending. This arrangement is ideally suited for college, community, and professional big bands seeking to explore the authentic sounds of the 1930s and 40s. Its moderate technical demands make it accessible for ensembles with solid fundamental playing skills, while its emphasis on blend, balance, and stylistic integrity offers rewarding challenges for more advanced groups. The rewarding aspect lies in achieving the authentic Foxtrot feel and the rich, ensemble sound that Van Alexander so expertly crafted, providing a delightful journey into a golden age of big band music. Achieving the authentic Foxtrot feel is paramount for "Cocktails For Two." Conductors should emphasize a relaxed, unhurried medium-slow tempo, ensuring a smooth, connected swing eighth-note feel without rushing. The primary technical challenge lies in maintaining precise ensemble blend and balance, particularly within the saxophone soli sections where intonation and unified phrasing are crucial. Brass players should focus on warm, rounded tones, avoiding harsh attacks, especially during sustained chords. Dynamics are key; encourage subtle swells and releases to enhance the lyrical quality. No special techniques like plunger mutes or extended falls are required, allowing the focus to remain on pure tone and articulation. Rehearsal time should be dedicated to shaping phrases, ensuring a cohesive ensemble sound, and allowing the melody to breathe naturally, particularly when passed between sections. Q: What instruments and parts are included in this arrangement of "Cocktails For Two"? A: This big band arrangement is scored for 17 instruments, including Alto Saxophone 1 & 2, Tenor Saxophone 1 & 2, Baritone Saxophone, Trumpet 1-4, Trombone 1-4, Piano, Bass, Guitar, and Drums. Q: What is the difficulty level of Van Alexander's "Cocktails For Two" arrangement? A: This arrangement is considered intermediate to advanced. While technically accessible for most college and community bands, achieving the authentic Foxtrot feel, precise blend, and nuanced dynamics requires a mature ensemble with solid fundamental skills. Q: What musical style and historical context does this arrangement represent? A: This arrangement is a classic Foxtrot, embodying the sophisticated, medium-slow swing style prevalent in big bands during the 1930s and early 1940s, reflecting the era of the song's original popularity. Q: What makes Van Alexander's treatment of "Cocktails For Two" unique? A: Alexander's arrangement is distinguished by its lush, balanced voicings, a prominent and beautifully crafted saxophone soli, and its authentic capture of the refined, elegant Foxtrot character, prioritizing ensemble blend and melodic clarity. Q: What is the approximate performance duration and recommended tempo for this piece? A: The approximate performance duration is 3-4 minutes, depending on the chosen tempo. It should be performed at a medium-slow, relaxed tempo, emphasizing a smooth, unhurried Foxtrot swing feel.
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