All The Things You Are (K.Napper)

Jerome Kern's "All The Things You Are," with lyrics by Oscar Hammerstein II, debuted in the 1939 Broadway musical *Very Warm for May*. Despite the musical's short run, the song quickly transcended its theatrical origins to become a cornerstone of the Great American Songbook and an indispensable jazz standard. Its enduring appeal to jazz musicians stems from its sophisticated harmonic structure, featuring a series of modulations that traverse the circle of fifths, a characteristic that sets it apart from many other standards of its era. Early recordings by big bands like Tommy Dorsey's and Artie Shaw's in 1939, followed by iconic jazz interpretations from artists such as Charlie Parker, Dizzy Gillespie, and Ella Fitzgerald, solidified its place in the jazz canon. The tune's complex yet logical chord changes have even inspired numerous "contrafact" tunes, where new melodies are written over its harmonic progression, showcasing its foundational importance in jazz improvisation. K.Napper's big band arrangement of this timeless standard presents a medium swing feel, maintaining the original's bright, romantic mood while infusing it with contemporary big band energy. The arrangement is primarily in the key of A-flat major, though it deftly navigates the song's signature modulations through C major, G major, and E major before returning to the home key, creating a rich harmonic journey. The overall energy is vibrant and uplifting, evoking a sense of classic swing-era sophistication blended with modern jazz sensibilities. This interpretation highlights the melodic beauty of Kern's composition, allowing its inherent elegance to shine through while providing ample opportunity for dynamic big band expression. K.Napper, a renowned English jazz double-bassist and arranger known for his significant contributions to the British modern jazz scene, brings his characteristic blend of melodic integrity and sophisticated harmonic writing to this arrangement. Expect meticulously crafted voicings that showcase the full spectrum of the big band, with particular attention to lush saxophone soli sections and powerful brass figures. The arrangement features the melody carried initially by the saxophone section, offering a warm and cohesive sound, before transitioning to the brass for a more assertive statement. There are featured solo opportunities, typically for tenor saxophone and trumpet, allowing improvisers to explore the rich harmonic landscape. A driving shout chorus builds excitement towards the end, a signature element in many big band charts, culminating in a powerful full-ensemble statement. This arrangement is ideally suited for college-level big bands, advanced community ensembles, and professional jazz orchestras. While the chart demands a solid understanding of jazz articulation, blend, and intonation, the technical challenges are rewarding rather than prohibitive. Musicians will find satisfaction in navigating the intricate harmonic progressions and contributing to the powerful ensemble sections. The clarity of K.Napper's writing ensures that bands with dedicated rehearsal time can achieve a polished and impactful performance, making it a valuable addition to any big band's repertoire. Conductors should emphasize a consistent, relaxed medium swing feel throughout the piece, ensuring the rhythm section lays down a solid, grooving foundation. Pay close attention to the dynamic contrasts, particularly in the soli sections and the build-up to the shout chorus, to maximize impact. Brass players should focus on precise attacks and releases, with particular attention to falls and scoops where indicated, to enhance the authentic jazz feel. Saxophone sections require careful blend and intonation, especially during the intricate soli passages. Rehearsal time should be dedicated to navigating the key changes smoothly, ensuring all sections are aware of the harmonic shifts. Encourage soloists to engage with the ensemble's dynamics and phrasing, treating their improvisations as an integral part of the overall arrangement. Q: What instruments are included in this arrangement? A: This big band arrangement includes standard instrumentation: 5 saxophones (2 alto, 2 tenor, 1 baritone), 4 trumpets, 4 trombones, and a full rhythm section (piano, bass, drums, guitar). The 83 pages include a comprehensive conductor's score. Q: What is the difficulty level of this arrangement? A: This arrangement is rated as advanced intermediate to advanced, making it suitable for college-level big bands, advanced community ensembles, and professional jazz orchestras. It requires proficient sight-reading skills and a solid understanding of jazz performance practices. Q: What is the musical style and historical context of "All The Things You Are"? A: "All The Things You Are" is a classic jazz standard composed by Jerome Kern in 1939 for the Broadway musical *Very Warm for May*. It is known for its sophisticated harmonic progression and is a cornerstone of the jazz repertoire, frequently performed in a medium swing style. Q: What makes K.Napper's arrangement of "All The Things You Are" unique? A: K.Napper's arrangement is distinguished by its sophisticated voicings, dynamic interplay between sections, and well-crafted solo opportunities, particularly for tenor saxophone and trumpet. It features lush saxophone solis and a powerful shout chorus, reflecting the arranger's deep understanding of big band writing. Q: What is the typical performance duration or tempo for this piece? A: This arrangement is designed for a medium swing tempo, typically around 120-140 beats per minute. The overall performance duration will vary slightly based on solo lengths, but generally falls within the 5-7 minute range.